Photography Tips and Techniques
Cell Phone Camera Basics

http://edu-observatory.org/olli/Photography/Week1a.html


  Smartphone cameras have quietly overtaken dSLRs in many 
  everyday situations simply because of convenience and
  computational power. They're always in your pocket, ready to
  shoot in seconds, while a dSLR requires carrying equipment,
  setup time, and enough social tolerance to point a
  conspicuous lens at something, and so on.

  Beyond accessibility, modern smartphones pack sophisticated
  AI-driven processing — night mode, HDR merging, multi-frame
  stacking — that produces polished results automatically,
  without the user needing to understand f-stops or RAW
  editing. The best photograph is usually the one you actually
  took, and smartphones make taking it far more likely.
  



  

  You should always strive to do your best -- and show your
  best. Great photography is not necessarily about equipment,
  but how you approach capturing an image. Knowing the basic
  controls of YOUR camera helps you capture what you see.


  

  



  iPhone Camera Basics (apply to Android Phone Cameras too)
    https://support.apple.com/guide/iphone/camera-basics-iph263472f78/ios

  Save camera settings on iPhone (set the defaults the way YOU want)
    Settings > Camera > Preserve Settings
    https://support.apple.com/guide/iphone/save-camera-settings-iph62000de98/ios


  Some user-selectable aspect ratios. The Golden Ratio
  (√5+1)/2, favored by the Greeks in architecture, lies just
  between the green (35mm file format) and blue rectangles. You
  can choose which aspect ratio YOU prefer at any time and even
  set it as your default with Preserve Settings.
  

  When should you consider using a tripod for iPhone photography?
    Example of High Quality Secure MagSafe iPhone Mount for Tripods

  








The most basic tools (with any camera) are: 1. Choosing Where to Focus (Tap) 2. Locking Focus (Tap & Hold) 3. Exposure (Slide Finger to lighten or darken) 4. Locking Exposure Demo on an iPhone Use iPhone camera tools to set up your shot https://support.apple.com/guide/iphone/set-up-your-shot-iph3dc593597/ios iPhone Camera basics https://support.apple.com/guide/iphone/camera-basics-iph263472f78/ios https://support.apple.com/en-us/HT210571 iPhone Camera Features For Perfect Focus (9 min) https://www.youtube.com/watch?v=JBdH-bttN-c https://iphonephotographyschool.com/ How To Set The Correct Exposure For Stunning iPhone Photos (19 min) https://www.youtube.com/watch?v=7h1qFnsCTzE https://iphonephotographyschool.com/iphone-photography-tips/ https://iphonephotographyschool.com/iphoneography/ Apple unveils the best photos from the Shot on iPhone Macro Challenge https://www.apple.com/newsroom/2022/04/apple-unveils-the-best-photos-from-the-shot-on-iphone-macro-challenge/

Photo Assignment Each of these weekly photos assignments is meant to encourage you to try something new, or different, or be challenged, and yet to have fun doing it. Be creative. Make your images about something that pleases you, that you want to keep looking at. While photographing something of interest to you, choose a perspective that has something close and something far. That can be objects on a table or in a room or out of doors. Prove to yourself that you can focus on something near and something far without changing what your camera is looking at.

Creative Exercises for Photographers https://www.bhphotovideo.com/explora/photography/tips-and-solutions/13-creative-exercises-for-photographers Sometimes creativity can use a jump-start, an artificial method to get the photographer to start looking at the world in a new way in order to facilitate, restart, refine, or improve your photography.

Book Recommendation John Berger About Looking Pantheon (1980) ISBN: 0679736557 As a novelist, art critic, and cultural historian, John Berger is a writer of dazzling eloquence and arresting insight whose work amounts to a subtle, powerful critique of the canons of our civilization. In About Looking he explores our role as observers to reveal new layers of meaning in what we see. How do the animals we look at in zoos remind us of a relationship between man and beast all but lost in the twentieth century? What is it about looking at war photographs that doubles their already potent violence? How do the nudes of Rodin betray the threats to his authority and potency posed by clay and flesh? And how does solitude inform the art of Giacometti? In asking these and other questions, Berger quietly -- but fundamentally -- alters the vision of anyone who reads his work. sam.wormley@icloud.com